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BATTLE SYSTEM
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INTERACTION
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ORIGINALITY
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STORY
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MUSIC & SOUND
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VISUALS
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CHALLENGE
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Very Easy
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COMPLETION TIME
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10 to 15 hrs.
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OVERALL
2.0/5
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Rating definitions
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The adventures of Edward and Alphonse Elric, which now span books, video games, and movies, gets another
telling with Fullmetal Alchemist 2: Curse of the Crimson Elixir. Rather than present an entirely new story sandwiched in between
episodes of the animated series, as Fullmetal Alchemist and the Broken Angel did, FMA2 takes the plot of the animated series and
alters it, effectively muddling what was already an inconsistent story. FMA2 makes some mild improvements over the first title, but
with a combat system still hounded by an unruly camera, an ineffective plot, and a visual style that tries with little
success to mimic cel animation, the game simply doesn’t change enough of what made the first title substandard to make it a worthwhile
play. Even fans of the series will most likely find this game too short, too easy, and entirely uncompelling.
The basic storyline of the Fullmetal Alchemist series is already reasonably well-known: two brothers attempt to
resurrect their dead mother through the art of Alchemy. Edward, the older brother, loses his right arm and left leg, while Alphonse
loses his entire body, his soul instead tied to a suit of armor. The series chronicles their attempts to locate an item called the
Philosopher’s Stone, an item said to break all laws of Alchemy, in order to restore their bodies to how they once were. The plot of
FMA2 stretches across most of the first season of the series, changing the plot to include a mysterious fish-like monster and hulking
black warriors called Golems. The story is reasonably well written, but it’s also largely pointless as it adds nothing to the
overarching search for the Philosopher’s Stone or the brothers' attempt to reverse the effects of their forbidden use of Alchemy.
Fullmetal Alchemist 2’s use of an already well-worn plot hurts it quite a bit, and brings down the overall
quality of the game. It feels, on the one hand, like a retread of earlier material, and on the other as a debasement of that material
as it neither answers unresolved questions from the series nor poses new questions of its own. The overall lack of innovation in the
story is mirrored in combat, with a few token alterations doing very little to mitigate the largely uninteresting design. The change
in visual style does make the game feel a bit less like a retread, but with most of the visual design taken directly from the series,
there’s little enough there to get excited about.
Golem design is by far the most interesting thing about FMA2, visually.
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Fullmetal Alchemist 2: Curse of the Crimson Elixir uses a very basic action-RPG combat system composed of a
two-button combo scheme and some very limited dodging and counter-attacking mechanisms. FMA2 does add a unique method of obtaining
new weapons for Edward; holding down L2 and pressing the corresponding button will allow Ed to draw a weapon directly out of the
ground. The different combat styles available through these new weapons allows Ed a bit more variety during combat, but most enemies
don’t require a specific weapon or strategy to defeat. Blind slashing will destroy most foes without much trouble. The game does
introduce a new counterattack mechanic, which consists entirely of pressing R2 as an enemy attack closes in on Ed. It doesn’t add
much to combat, and most of the fast dodging that results will mess with the camera, but it is satisfying to see Ed backflip out of
the way of an oncoming fist or claw. The game's use of Ed's Alchemy skill to transmute random items in each area into a variety of
often bizarre weapons can add a bit of flavor to the otherwise dull combat, but it is entirely unnecessary and is never actually required
to best one's foes.
One thing that Fullmetal Alchemist 2 retains from its predecessor is the method of using items during combat.
This is rather unfortunate, as that method involves opening up the pause menu and using items as one would outside combat, effectively
destroying any sense of tension or speed in combat, as well as removing any real challenge the game may have presented. As it stands,
it is quite difficult to die so long as Ed and Al have more than a handful of potions in their inventory. The basic design of FMA2’s
combat system makes it entirely too easy and robs it of any real impact.
The game’s control is reasonably good outside of one major oversight: the camera. Basic movement is handled
with the left thumbstick, while the camera can be tilted and panned using the right, a setup which makes it very difficult to fight and keep the
camera in line at the same time. After a while, combat develops a bit of a rhythm to it - attack, dodge, adjust camera, repeat. It becomes even more
difficult to deal with as Edward transmutes more objects onto the playing field. With a few enemies and a handful of spiked balls
rolling around the room, the game becomes a race between the camera and the various environmental obstacles, to see which one can
find the other first.
FMA2's soundtrack is largely forgettable, comprised of a mixture of techno and classical themes, and is
entirely cliche for the RPG genre. The voice acting is quite good, on the other hand, with the cast of the animated series reprising
their roles with a surprising amount of enthusiasm. There are a number of unnecessary pauses and melodramatic gasps for the actors to
deal with, but they muddle through to produce one of the high points of this title.
The writing's not bad, but the story's a bit of a re-run.
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Fullmetal Alchemist 2 switches from the entirely 3D polygonal style of Fullmetal Alchemist and the Broken Angel
to a cel shaded, heavily outlined look in order to better mimic the cel animation it uses during animated cutscenes. This shift in
visual styles doesn’t really do much for the game beyond separating it from its predecessor to a certain degree, and as an attempt to
mimic cel animation, it is rather poor. The visual design is a bit of a bright spot, particularly in the Golem design. Appearing as
giant pools of pitch black, highlighted only by glowing, golden mystic runes, the Golems in some ways resemble the Heartless of
Kingdom Hearts, and their animation and unique means of attacks are interesting things to watch.
With a low difficulty and lower time to complete, Fullmetal Alchemist 2 isn’t going to stand up to much replaying.
The new game + feature does help a bit, especially given the hard-to-find kittens to collect, but in the end, FMA2 is really more of a
rental title.
The Fullmetal Alchemist series feels, at times, like a kind of Square-Enix proving ground. The counterattack
mechanics and Ed’s looping style of combat seem strangely similar to the Reaction commands and dual Keyblade wielding style of Kingdom
Hearts 2. However, as a stand-alone title, Fullmetal Alchemist 2: Curse of the Crimson Elixir offers little enough to fans of the series,
let alone uninitiated gamers. With a retread story, unimpressive combat, and irritating control, FMA2 is a good example of a short,
pointless game.
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